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6月22日 14:30開幕

展期：2019年6月22日—8月18日

主辦：三影堂廈門攝影藝術中心

藝術總監(jiān)：榮榮&映里

展覽執(zhí)行：滕青云

友情支持：成都當代影像館 

支持：浙江攝影出版社，瑞士文化基金會上海辦公室，北京日本文化中心（日本國際交流基金會）

■ 開幕活動

 6月22日 14:30開幕 

藝術家導覽：14:30-15:20

三影堂×圖蟲Open See講座：15:30-17:30

劉珂&晃晃，盧杉，汪瀅瀅

  6月23日 

藝術家講座：14：30

胡雅靜，李林，劉書彤，徐思捷，張?zhí)m坡，周裕隆

■ 參展藝術家（按姓氏拼音首字母排序）：

陳江嶼，黃奕亮，胡雅靜，蔣斐然，雷安喬，李劍鴻，李林，李龍俊，劉珂&晃晃，劉書彤，盧杉，呂廷川，馬塔，唐咸英，汪瀅瀅，吳國勇，徐思捷，尤達任，張?zhí)m坡，周裕?。▌潤M線藝術家將出席開幕式）

■ 國際評委團

（按姓氏首字母排序）：

海杰, 獨立策展人，影像藝術批評家，中國

姬野希美, 赤赤舍藝術出版公司的代表兼主編，日本

馬塞爾·菲爾, 阿姆斯特丹FOAM攝影博物館副館長，荷蘭

彼得·福倫德, 瑞士攝影基金會總監(jiān)兼策展人，瑞士

榮榮 , 三影堂攝影藝術中心聯(lián)合創(chuàng)辦人及藝術總監(jiān)，集美·阿爾勒國際攝影季聯(lián)合發(fā)起人，中國

■ 展覽前言

生物體的新生來自于脫氧核糖核酸（DNA）轉譯遺傳信息合成新的蛋白質，而同樣的“轉譯”過程也正在發(fā)生在中國新銳藝術家們以影像這一基本媒介為出發(fā)點不斷開疆擴土的創(chuàng)作實踐中。

 

2019年度三影堂攝影獎共收到534份投稿，其中20位藝術家的作品被遴選入圍第十一屆三影堂攝影獎作品展。這些藝術家不拘泥于常規(guī)的獲取圖像的方式，呈現(xiàn)出了生動多元的視覺景觀。譬如，盧杉使用網(wǎng)絡現(xiàn)成品進行影像拼貼，制作成動畫和照片，重構出一個介乎于虛擬與真實之間的世界，關注不同文化傳統(tǒng)與宗教中對于世界的理解，以及當下社會文化與科學認知的連通性；唐咸英的《平行世界》巧妙地運用大面積的色塊與或抽象或具象的結構，將無必然關聯(lián)的畫面并置并調和出微妙的畫外音；汪瀅瀅在2015至2019年期間的數(shù)次“洄游”至出生之地，在作品中運用文字、涂鴉、影像和圖像并置，重新梳理和思考時代背景下的原生家庭問題，并完成自我身份的認知和情感傷痕的自我和解；陳江嶼在作品《為了看見天空的畫——致夢中的的伊卡洛斯迷樓》中利用3D建模和圖像的合成的方式“重新解讀與再造”了現(xiàn)代社會結構和意識形態(tài)的宏大世界。同時值得一提的是，縱觀今年所有的投稿作品，有一定數(shù)量的投稿者擁有著除了藝術家之外的身份或背景。我們欣喜地看到了在“人人都是攝影師”的年代中激發(fā)出作者的多元性，以及他們從不同的方式和角度通過影像這一媒介探索自我以及與世界的內在、外在的聯(lián)系。

 

三影堂攝影獎于2008年以“臨點”出發(fā)，在去年完成了第一個十年的豐碩成果之后，而今邁向新的十年征程。在這里我們要衷心祝賀本屆入圍的攝影師們，期望這個平臺能夠照耀你們的藝術道路。三影堂攝影獎將在秉承設立的初衷——發(fā)掘和支持中國青年攝影師和藝術家的同時，對如何打造適合當下攝影藝術家的生態(tài)環(huán)境展開更為深入的思考和探索。

入圍藝術家作品

陳江嶼，《為了看見天空的畫 故宮》

黃奕亮，《反射》

胡雅靜，《心跳》

蔣斐然，《第一次婦女集合會合影》

雷安喬，《Pear in mouth》

李劍鴻，《海邊》

李林，《黃河農(nóng)場》

李龍俊，《冬季里朝鮮邊防軍在進行訓練》

劉珂&晃晃，《鏡子》

劉書彤，《辦公室鐘表的9:00—5:00的一天》

盧杉，《壇城蟲蟲洞》

呂廷川，《石門村覆蓋綠網(wǎng)的拆遷廢墟》

馬塔，《Birth》

唐咸英，《平行世界No. 09》

汪瀅瀅，《洄》

吳國勇，《武漢毛家巷二號》

徐思捷，《平行與相交的時間?》

尤達任，《馬》

張?zhí)m坡，《巨人傳》系列二

周裕隆，《尋找無雙》

Opening Ceremony June 22th,14:30

Duration: 2019.6.22-8.18

Organizer: Three Shadows Xiamen Art Centre

Art Director: RongRong& inri

Exhibition Executor: Teng Qingyun

Friendly Supporter：

Chengdu Contemporary Image Museum

Supporters：

Zhejiang Photography Publishing, Pro Helvetia – Shanghai

Special Thanks：

Embassy of Switzerland in China, Embassy of Japan in China

■ Opening Weekend

June 22th

Opening Ceremony 14:30

Artist Guide Tour: 14:30-15:20

1st Artist Lecture: 15:30-17:30

Artists：Liu Ke & Huang Huang, Lu Shan, Wang Yingying

June 23rd

2nd Artist Lecture: 15:30-17:30

Hu Yajing,  Li Lin, LiuShutong, Xu Sijie, Zhang lanpo, Zhou Yulong

 

■ Artists (Alphabetically)：

Chen Jiangyu, Huang Yiliang, Hu Yajing, Jiang Feiran, Lei Anqiao, Li Jianhong, Li Lin, Li Longjun, Liu ke&Huang Huang, LiuShutong, Lu Shan, Lv Yanchuan, Ma Ta, Tang Xianying, Wang Yingying, Wu Guoyong, Xu Sijie, You Daren, Zhang Lanpo, Zhou Yulong(underlined artists will attend the opening ceremony)

 

■ The jury of the 2019 TSPA's 11th edition

They are (alphabetically)：

Hai Jie, Independent curator, Critic, China

Kimi Himeno, Director and chief editor of Akaaka Art Publishing. Inc.Japan

Marcel Feil, Deputy Director of Foam Fotografie Museum Amsterdam, Netherlands

Peter Pfrunder, Director and Curator of the Fotostiftung Schweiz (SwissFoundation for Photography), Switzerland

RongRong, Founder and Director of Three ShadowsPhotography Art Centre, Co-founder of Jimei x Arles International PhotoFestival, China

 

■ Exhibition Introduction

An organism is reborn from DNA translating genetic information into new proteins. This translation process is also occurring in the creative practice of emerging Chinese artists, who are departing from the basic medium of photography and constantly pushing boundaries. In 2019, the Three ShadowsPhotography Award received 534 submissions, and the works of 20 artists were selected for the Eleventh Three Shadows Photography Award Exhibition. These artists are not limited by conventional ways of capturing images, they present lively and diverse visual landscapes.

 

For example, Lu Shan uses ready-mades from the internet to make collages, producing animations and pictures that reconstruct a world between the real and the virtual. The work focuses on the understandings of the world in different cultural traditions and religions, as well as the connections between scientific knowledge and today’s society and culture. Tang Xianying’s ParallelWorld cleverly uses large blocks of color and abstract or figurative structures, juxtaposing images that are not necessarily related and blending them with a subtle voice-over. From 2015 to 2019, Wang Yingying made several trips to the place of her birth. Through the juxtaposition of texts, graffiti, videos, and pictures, she re-examines and considers her family’s issues in the context of their times, recognizing her own identity and healing her own emotional scars. In Order To See The Painting Of The Sky - Icarus In The Dream, Chen Jiangyusynthesizes 3D renderings and images to “re-interpret and re-create” the grander world of modern social structures and ideologies. It is also worth mentioning that, in looking over all of this year’s submissions, there was a considerable number of participants who came from non-artist backgrounds. At a time when “everyone is a photographer”, we are delighted at this immense diversity. With differing methods and perspectives, they have used photography to explore themselves and the connections between the exterior and interior worlds.

 

For this edition of the Three Shadows Photography Award, we were honored to have Marcel Feil, deputy director of Foam Fotogra Museum, PeterPfrunder, director and curator of the Swiss Foundation for Photography, KimiHimeno, director and chief editor of Akaaka Art Publishing, Hai Jie,independent Chinese curator and photography critic, and RongRong, co-founder and art director of the Three Shadows Photography Art Centre, as part of the international judging panel. Together, they selected the winner of this year’sThree Shadows Photography Award. In particular, we must thank Hai Jie for his hard work as a preliminary judge, helping to select the finalists. This edition also features the Media Award, selected by a media jury of international and domestic senior editors and reporters from Artnet, Art. Ifeng.com, Hiart, Artron.net, and Chinese Photography. This award uncovers, interprets, and promotes photography works with an independent spirit and artistic potential.

 

Here, we would sincerely like to thank the Chengdu ContemporaryImage Museum, Zhejiang Photography Publishing, Pro Helvetia Shanghai and theJapan Foundation Beijing for their immense support of this year’s TSPA. We must also express our gratitude to the Embassy of Switzerland in China, the Embassy of Japan in China and Embassy of the Kingdom of the Netherlands in China, which have worked with Three Shadows to create possibilities for further interaction and collaboration in photography between China and the rest of the world.

 

The Three Shadows Photography Award launched in 2008 with “Points of Impact”. Building on the substantial achievements of the prize’s first decade, we look forward to the new decade to come. We want to sincerely congratulate all of this year’s finalists, and we hope that this platform will illuminate your artistic path ahead. While retaining its original mission to discover and support young Chinese photographers and artists, the Three Shadows PhotographyAward is exploring ways to keep pace with the development of today photography scene. 

 

開放時間：每日9:30至17:30，免費開放，周一休息 (布展期間閉館)

地址：福建省廈門市集美區(qū)杏林灣商務營運中心二號樓三樓（從三樓大平臺進入）

電話：+86 592 6372133

郵件：xiamen@threeshadows.cn

藝術活動合作及場地招商熱線: +86 592 6372133或15980841019